Showing posts with label poets on poetry. Show all posts
Showing posts with label poets on poetry. Show all posts

Wednesday, 28 January 2015

Making Poetry, A Poem Guide



What better way to talk about poetry than in a poem itself?  I love it when a poem comes along that illuminates the process of writing poetry that little bit more and illustrates just what a fine medium poetry is. 

What this kind of poem also reveals is the inherent mystery and modesty that go with writing poems. It's nice to know that accomplished, assured and skilled poets often have doubts (and therefore humility) when it comes to the poetry making process. Some of these recent discoveries I have to share here with all of you poetry-lovers and poets out there reading. As a poet, you don't get much advice or training in the craft - only from reading poetry - and these poems are both tutor and confidant. 

Billy Collins, one of my favourite poets, writes a lot about the writing process in many wryly entertaining and acutely accurate poems. In 'Poetry', he pays homage to the poet's imagination and purpose in life, which is not really a purpose when compared to those of other writers like novelists or playwrights; no, a poet's job is to just notice things, to let the imagination work, 'to be busy doing nothing'.

Linda Pastan, a poet I've recently discovered, writes plaintively and truthfully about the poetry writing process. I love her poem 'There are Poems' about the poems that never get written, that are lost to the blue sky of the mind. How visually correct! And the trailing-off structure of the poem fits perfectly with what it is saying. Her encouraging words in 'Rereading Frost' are a welcome nourishment to any aspiring poet who thinks what they have to say has already been said and in better ways: 

"At other times though
I remember how one flower
in a meadow already full of flowers
somehow adds to the general fireworks effect..."

Anne Stevenson's 'Making Poetry' is a poem I instantly fell in love with. She manages to put her finger, nimbly and fancifully, on what making poetry means, what it involves and how it is all-involving:

"To be in the habit of, to wear
words, sitting in the plainest light,
in the silk of morning, in the shoe of night;
a feeling bare and frondish is surprising air;
familiar…rare..."

And for anyone in doubt as to the difference between poetry and prose, Howard Nemerov deftly demonstrates it in his short poem of the same name, insinuating that words 'fly' in poetry as opposed to how they 'fall' in prose. Exactly.

All of these poems are below for you to enjoy. Are there any others you can think of? 

Happy poetry musing, 


~ Siobhán  
 


Poetry - Billy Collins

Call it a field where the animals
who were forgotten by the Ark
come to graze under the evening clouds.


Or a cistern where the rain that fell
before history trickles over a concrete lip.


However you see it,
this is no place to set up
the three-legged easel of realism


or make a reader climb
over the many fences of a plot.


Let the portly novelist
with his noisy typewriter
describe the city where Francine was born,


how Albert read the paper on the train,
how curtains were blowing in the bedroom.


Let the playwright with her torn cardigan
and a dog curled on the rug
move the characters


from the wings to the stage
to face the many-eyed darkness of the house.


Poetry is no place for that.
We have enough to do
complaining about the price of tobacco,


Passing the dripping ladle,
and singing songs to a bird in a cage.


We are busy doing nothing –
and all we need for that is an afternoon,
a rowboat under a blue sky,


and maybe a man fishing from a stone bridge,
or, better still, nobody on that bridge at all.


***


Making Poetry - Anne Stevenson

‘You have to inhabit poetry
if you want to make it.’
 
And what’s to ‘inhabit'?
 
To be in the habit of, to wear
words, sitting in the plainest light,
in the silk of morning, in the shoe of night;
a feeling bare and frondish is surprising air;
familiar…rare. 

And whats ‘to make’ ?
 
To be and to become words’ passing
weather; to serve a girl on terrible
terms, embark on voyages over voices,
evade the ego-hill, the misery-well,
the siren-hiss of  success, publish,
success, success, success.
 
And why inhabit, make, inherit poetry ?
 
Oh , it’s the shared comedy of the worst
blessed; the sound leading the hand;
a worldlife running from mind to mind
through the washed rooms of the simple senses;
one of those haunted, undefendable, unpoetic
crosses we have to find. 

***

There are Poems - Linda Pastan

There are poems
that are never written,
that simply move across
the mind
like skywriting
on a still day:
slowly the first word
drifts west,
the last letters dissolve
on the tongue,
and what is left
is the pure blue
of insight, without cloud
or comfort.

***

Rereading Frost - Linda Pastan

Sometimes I think all the best poems
have been written already,
and no one has time to read them,
so why try to write more?

At other times though,
I remember how one flower
in a meadow already full of flowers
somehow adds to the general fireworks effect

as you get to the top of a hill
in Colorado, say, in high summer
and just look down at all that brimming color.
I also try to convince myself

that the smallest note of the smallest
instrument in the band,
the triangle for instance,
is important to the conductor

who stands there, pointing his finger
in the direction of the percussions,
demanding that one silvery ping.
And I decide not to stop trying,

at least not for a while, though in truth
I’d rather just sit here reading
how someone else has been acquainted
with the night already, and perfectly.

***

Because You Asked About The Line Between Poetry and Prose - 
Howard Nemerov

Sparrows were feeding in a freezing drizzle
That while you watched turned into pieces of snow
Riding a gradient invisible
From silver aslant to random, white, and slow. 


There came a moment that you couldn't tell.
And then they clearly flew instead of fell.



 

Tuesday, 24 June 2014

Love Liberates: Maya Angelou RIP

angeloubooksigning103008 4 300x250 Maya Angelous Legacy: Inspiring Quotes for Writers

'No sun outlasts its sunset but will rise again and bring the dawn.' ~ Maya Angelou

Maya Angelou died last month. Poet, writer, human rights campaigner, compassionate crusader. The epitaphs attributed to her have taken measure of all of these. And such an outpouring there has been. 

I first heard of Maya Angelou when I came across her famous poem 'Still I Rise' in a library book once. The words pounded off the page, each a feisty declaration, a defiance of negativity through positivity, a reckoning, a literal rising. It was akin to a sword being pulled from a stone, something to put 'starch' in your backbone alright and make you stand up straight:


'Still I Rise' by Maya Angelou

Her poems are simple, straight-forward, brave, and honest, confessions, declarations and intimations. Exactly as she advised she had accomplished, to write so that it 'slides through the brain and goes straight to the heart.' 

Maya Angelou is best known perhaps for her autobiography 'I Know Why the Caged Bird Sings', a narrative of Black History in the 1930s, the first volume out of five that have all been bestsellers: 'I write about being a Black American woman, however, I am always talking about what it's like to be a human being. This is how we are, what makes us laugh, and this is how we fall and how we somehow, amazingly, stand up again'. She overcomes all hardships to become a writer, a bestselling author, a campaigner for the Civil Rights movement on close terms with Malcolm X and Martin Luther King, and most importantly, an ambassador for compassion.  In 1993, she was the first female poet to read at a presidential inauguration for Bill Clinton.

I've been meaning to get around to posting this dedication to her. Her words have wisdom that will live on forever. Of all the articles posted since her death, this wealth of wisdom shines forth whether in short quotes or interviews. Posted below are some of her thoughts on writing; invaluable of course to any budding writers. And also an interview that has been trending ever since news of her death broke, that I feel expresses exactly the warmth of her personality, the innate love and compassion she was so well known and liked for. Watch it and smile in response. You can also read some of her poems here: A Poem A Day/Maya Angelou. 

Another great voice of our time gone, but never to be forgotten. Like the sun that has set, but 'will rise again to bring the dawn.'  RIP Maya Angelou. Our hearts salute you for a service well done. 


~ Siobhán  



                                                    


~  'The idea is to write it so that people hear it and it slides through the brain and goes straight to the heart.'

~ 'You can’t use up creativity. The more you use, the more you have.'

~ 'When I look back, I am so impressed again with the life-giving power of literature. If I were a young person today, trying to gain a sense of myself in the world, I would do that again by reading, just as I did when I was young.'

~ 'The desire to reach for the stars is ambitious. The desire to reach hearts is wise.'

~ 'Words are things… Some day we’ll be able to measure the power of words. I think they are things. They get on the walls. They get in your wallpaper. They get in your rugs, in your upholstery, and your clothes, and finally in to you.'

~ 'Poetry puts starch in your backbone so you can stand, so you can compose your life.'

~ 'When I am writing, I am trying to find out who I am, who we are, what we’re capable of, how we feel, how we lose and stand up, and go on from darkness into darkness. I’m trying for that. But I’m also trying for the language. I’m trying to see how it can really sound. I really love language. I love it for what it does for us, how it allows us to explain the pain and the glory, the nuances and delicacies of our existence. And then it allows us to laugh, allows us to show wit. Real wit is shown in language. We need language.'


 Love Liberates:

Monday, 15 August 2011

Writing Poetry (Or Channelling & Chasing Butterflies)



It's one thing saying you're a writer, but a poet? Well, that's quite another. Or should it be a poetess? How in the heck to define it? Conjuror, magician, wordsmith, visionary, shaman?  Or just language-lover? As W.H. Auden defined it: "a poet is, before anything else, a person who is passionately in love with language." And I am. Totally. Irrevocably. Swoon.

Poetry is language "raised to the Nth power" and so the ultimate in extreme language pursuits. I compare my love of poetry to my love for strong spirits over bland beer and the likes.  I like the strong stuff in life and poetry is surely a showcase for the strongest: love, death, hope, hopelessness, loss, happiness - all kinds of feelings. It's an electric humming arena of emotion.  'To be a poet is a condition, not a profession." Oh yes. It's a way of looking and responding to the world. And a condition that is continually satisfied when the right words come together and there's a clicking somewhere, an aha! moment of clarity and revelation and supreme harmony. The world fits, everything fits and clicks into place, all because of words.  There's nowhere better to witness the wizadry of words than in poetry. 

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness." - Robert Frost. A poem's first twinge comes as just that: an inkling, a half-whispered word, an image, an idea, a feeling that just has to be realized into words. Ever observe a butterfly fluttering around the garden? Notice how quick it moves, how it only flittingly comes near you before flying away. Well poems arrive just like metaphorical butterflies, floating and fluttering overhead before landing lightly, only for a millisecond in our imagination, enough to trigger an impression.  And off we go, we poets, nets in hand, chasing butterflies, trying to capture this experience before it evaporates. (Nimbleness, skill, feather-light footsteps, swift swiping and an ear like a recording studio all required.)

And we never know where the butterfly will take us. Like Alice and the white rabbit, it could be to Wonderland. Indeed every poem is written in such a surreal mode, some kind of Wonderland zoning-out and honing-in on the core matter of things.  The best poems write themselves (I've heard songwriters say this too.)  Derek Walcott says "if you know what you're going to write when you're writing a poem, then it's going to be average." And Robert Frost too: "writing a poem is discovering." We never know where the poem will take us. That's why it's so exhilarating and exciting. Like following a treasure map of lines and rhymes and metaphors and ending up with the riches of new wisdom at the end.

Surreal and sacred. Poets have often described the process of writing poetry as 'following dictation'. They don't write the poems, they merely listen to them being recited in their heads by some all-knowing clear-cut quartz voice from the vast well of creativity. I totally agree with this. Writing a poem does not involve hanging around at a blank computer screen for ages, editing and pasting and inventing lines. It only happens when I hear 'dictation,' hear the Muse's voice in my head. 

It could be when I'm dozing off to sleep or waking, sometimes during a moment of late-night waking, out walking, travelling, eating. ...Whenever a line or snatch of a line or word or image comes fluttering into my head, I grab it, write it down and let it develop from there. Sometimes it will take a few days or weeks to gestate into more, sometimes I get the full poem and work at re-arranging lines and words until it echoes pitch-perfect (and when it does, it feels like I've caught a scattering of stardust and smoothed it into language, or pinned a  rare specimen of  butterfly to the page for observation and analysis.)

Poetry is totally different to prose, where you show up at the computer and start typing and firing out rounds of words like extended gunfire. Prose is much more linear and logical than poetry. It can be planned and mapped and structured. Poetry can't. It just happens, just manifests out of the imagination like genie smoke. You can't force  or foresee a poem. You can only be aware, and listen out for it rising up through the subconscious like a timid butterfly. Prose comes from black and white straightforward thinking; poetry from that blue and green sparking starry space of emotion fusing with thought before being transformed through the alchemy of words into art.
 
And it's something I cherish, this ability to 'write' poems, just like some secret sixth sense. Something that will forever intrigue and mystify me. When I'm met with poetry-haters who scoff at my writing of it, I feel like I could stab them with their imagined feather quill!  It's not fluffy or frivolous or frumpy but real and profound and sacred and goddamn tough. It is all to do with truth and guts and mystery, not tedious or trivial or la-de-dah. As Allen Ginsberg of the Beats fame said: "Poetry is not an expression of the party line.  It's that time of night, lying in bed, thinking what you really think, making the private world public, that's what the poet does." Another fitting definition of a poet.
I'll leave you with EE Cummings on the experience I've been trying to describe. Notice how the whole structure of his poem delightfully and accurately conjures up the itty-bitty delicate feel of putting a poem together. Enjoy.

Any comments from poets, poetesses  and loony language lovers especially welcome!

~ Siobhán.

one(Floatingly)arrive - ee cummings 

one(Floatingly)arrive

(silent)one by(alive)
from(into disappear

and perfectly)nowhere
vivid anonymous
mythical guests of Is

unslowly more who(and
here who there who)descend
-ing(mercifully)touch

deathful earth's any which
Weavingly now one by
wonder(on twilight)they

come until(over dull
all nouns)begins a whole
verbal adventure to

illimitably Grow